Stiefel, Frank — “Ingelore” Speaking Without Hearing

What would it be like for you if you were deaf? If you could not speak your first word until you were six? If you had three years of education, your first language was German, and you later emigrated to another country where they speak English?  Ingelore is the first name of a woman who was born in Germany in 1924, and came to America in 1940 at the beginning of the Third Reich, right after Kristallnacht. The film “Ingelore” was made by Inglelore’s son Frank Stiefel, and it tells his mother’s story.

In this edition of Radio Curious, we begin with Ingelore in her own words from the documentary “Ingelore.” As you hear her ability to articulate words in English it’s important to remember she cannot hear.

This interview was recorded on May 29th, 2010 with Frank Stiefel from his home in Santa Monica, California.

The books that Frank Stiefel recommends are “Hand Of My Father,” by Myron Uhlberg, and “The Road,” by Cormac McCarthy.

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Feeney, Mark — Nixon at the Movies

Richard Nixon and the movies he watched while he was president is the topic of this archived edition of Radio Curious. On his third night in office, January 22, 1969 Nixon saw “The Shoes of the Fisherman” in the White House movie theater. From then until August 1973, when he resigned the presidency, Nixon watched over 500 movies in the White House, at Camp David, and other places he frequented. This is an average of 2½ movies per week during his presidency.

The book, “Nixon at the Movies: A Book About Belief,” by Boston Globe journalist Mark Feeney, examines the role movies played in forming Nixon’s character and career, and the role Nixon played in the development of American film. Ronald Reagan may have been the first movie star president, but Feeney argues that Nixon was the first true cinematic president. In this program, recorded in January 2005, Mark Feeney begins by commenting on the effect the 500 plus movies that Nixon watched had on him and his presidency.

The book Mark Feeney recommends is, “The Whole Equation,” by David Thompson.
This interview was originally broadcast on February 22, 2005.

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Benton, Robert — The Human Stain

This program is about “passing,” a term sometimes used to define a person of color who passes as white. From the 2004 Radio Curious archives we revisit a conversation with film director Robert Benton, about his film “The Human Stain.” It’s a movie about the life of Coleman Silk, an eminent Jewish intellectual and devoted husband; a professor of classics at a small New England college.  The truth about Coleman Silk, portrayed by Anthony Hopkins, is far more complex than expected or thought to be.  He hid behind a veil of lies, having masked his African-American origins in order to find a freedom he thought would otherwise be impossible to achieve.  But his world of deception unraveled after embarking on a romance with a much younger woman.

Our guest, Robert Benton, is a three time Academy Awards winner for his work as the Director of “Kramer Vs. Kramer,” “Places in the Heart,” and “Nobody’s Fool.” His film, “The Human Stain,” takes place in the 1990s and is based on the third novel of Phillip Roth’s “American Trilogy” describing the post World War Two turmoil in America.

The title “The Human Stain” emerges from the idea that no matter what a person does, a human being leaves a mark on the world, whether by rage, desire, ambition or accident, a kind of scar; stain that cannot be undone.  For Coleman Silk that stain is the deception and concealment he carried for decades. The human stain is the mark we leave on everything.  It speaks to the fact that we can’t get through life without marking the world around us in some way. We have no choice. It’s part of being human.

Robert Benton and I visited by phone in the fall of 2004.

The books Robert Benton recommends are “The Curious Incident of the Dog in the Night,” by Mark Haddon and “The Manuscript Found in Sargossa,” by Jan Potocki.

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Lowe, Felicia — Chinese Immigration:  The Veil of Secrecy and Silence

Secrecy of and revelation about the trip to America to secure a new life during the Chinese Exclusion era is the topic of this edition of Radio Curious. 

Our guest is Felicia Lowe, whose filmChinese Couplets” tells her mother’s story.  Felicia Lowe was met with refusals and silence when as a child she asked her mother about her childhood. This shroud of silence was lifted when Felicia Lowe’s daughter found an old family photograph taken in China and asked her grandmother to tell the story related to the photograph. 

The film “Chinese Couplets” shows and tells the story of a childhood in rural China, the new identity to secure passage to America, the fear of deportation if the truth were known, and a prosperous and successful life of an immigrant Chinese woman in Oakland, California.   The film “Chinese Couplets” will be shown at the Mendocino Film Festival on Saturday, May 30, 2015 at 10 am in the Village of Mendocino, California.

When Felicia Lowe and I visited by phone from her home in San Francisco, California, May 17, 2015, I asked her to tell us about her mother.

The book Felicia Lowe recommends is “The Blues Eye,” by Toni Morrison.

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Wallach, Amei — Art Outwitting Oppression:  The Kabakov Story

Amei Wallach, producer and director of the documentary film “Ilya and Emilia Kabakov: Enter Here,” about the lives of Ilya and Emilia Kabakov is our guest in this edition of Radio Curious.

Amei Wallach met Ilya Kabakov in 1987, when she was in the Soviet Union investigating the effect of perestroika on the arts.  Unavoidably intrigued, eight years later she published the first biography of Ilya Kabakov, “The Man Who Never Threw Anything Away.” 

“Enter Here” documents not only the lives and work of Ilya and Emilia Kabakov, Russia’s most celebrated international artists, who are now United States citizens, but also the lives of the average Russian from the Stalin era to the fall of the Soviet Union.  The film will be shown at the Mendocino Film Festival May 31, 2015, at 12:30 pm, in the Village of Mendocino, California.

Amei Wallach says her film documents how “art can outwit oppression.” When we visited by phone on May 10, 2015, she began with an explanation of how art outwits oppression.   

The book Amei Wallach recommends is “Vermeer in Bosnia: Selected Writings,” by Lawrence Weschler. 

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Schwartz, Lacey — Nobody Discussed It:  Lacey Schwartz and “Little White Lie”

The secret revealed in the life of Lacey Schwartz, born in 1987 to a white Jewish family in rural upstate New York, where she grew up, is that her biological father was black.  The few who knew her truth remained silent until after her first year of college when she asked her mother why she looked the way she did.  Lacey Schwartz is the producer and director of the film Little White Lie,” which documents her family secret.

“Little White Lie” will be shown at the Mendocino Film Festival on Friday, May 29, 2015, at 5:30 pm, in the Village of Mendocino, California.

Lacey Schwartz and I visited by phone from her home near New York City, on May 11, 2015.  First we hear a clip of Lacey’s voice taken from the introduction of the film “Little White Lie,” and later intersperse our conversation with clips from the film. 

The book Lacey Schwartz recommends is “How It Feels to Be Free:  Black Women Entertainers and the Civil Rights Movement,” by Ruth Feldstein.

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Levene, Bruce — James Dean in Mendocino

John Steinbeck’s novel, “East of Eden” was published September 1952 and the movie-made soon thereafter-is the subject of this edition of Radio Curious. Our guest is Bruce Levene, author of “James Dean in Mendocino: The Filming of East of Eden.” The Mendocino Film Festival will screen “East of Eden” on Friday, November 21 and Sunday, November 23, 2014.

Soon after “East of Eden” was published, plans began immediately for a motion picture. Warner Brothers bought the rights and director Elia Kazan hired playwright screenwriter, Paul Osborn to write the film script. After several attempts to encompass the sprawling 560-page novel, they decided to use only the last 90 pages—the story of Adam Trask, his sons Aron and Cal, their mother Kate, and the girl Abra.

It’s a story about the search for love, the desperate search for his father’s love, by the son Cal, the fanciful search for his mother’s love by Aron, and the futile quest by Adam for the love of all humanity. John Steinbeck wrote of his book, “The subject is the only one that man has used of his theme. The existence, the balance, the battle and the victory and permanent war between wisdom and ignorance, light and darkness, good and evil.”

By 1954, when Kazan began searching for locale to use for the filming of “East of Eden,” neither Monterey nor Salinas, where the stories took place, looked much like California in 1917. Warner Brothers had made “Johnny Belinda” in Mendocino in 1947, which might have influenced the director.

Or perhaps as one wire service reported:  “Like many other voyagers, he just wandered up the Mendocino Coast and found what he was looking for.”

In late April, preparations for filming began and the fist day of shooting took place on May 27. In that amazingly brief time the Mendocino scenes were completed and by June 3, the Warner Brothers production team was gone, leaving local residents with fond remembrances.

Bruce Levene writes, “I first saw “East of Eden” on the fan tail of a US Navy destroyer in the Caribbean in 1956. I’d read the book but never traveled west of Des Moines. California was unseen, Mendocino was unheard of. I thought “East Eden” had been filmed in Monterey and Salinas, wherever they were.”

“East of Eden” became Levene’s favorite motion picture. Not particularly because of James Dean, although he was certainly unforgettable.

“Whatever the man was in real life, saint or sinner,” Bruce Levene writes, “we will never really know.  It’s undeniable however, that in front of an audience or camera he was remarkable. And that, for an actor, is the best thing that can be said. Dean was just something else.”

For Bruce Levene, it was how he felt about the whole movie—the shoreline, the town, it’s people, the actors: Julie Harris, Joe Van Fleet, Raymond Massey and Burl Ives (Massey and Ives didn’t go to Mendocino), and Leonard Rosenman’s wonderful music. A totality in feeling, rare in motion pictures, was only enhanced to Bruce Levene when he moved to Mendocino in 1969.

When Bruce Levene and I visited from his home in Mendocino, California, on November 11, 2014, I asked him what prompted him to write his book “James Dean in Mendocino.”

The book Bruce Levene recommends is “The Immense Journey” by Loren Eiseley.

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Dammann, Dr. Grace –Dr. Grace Dammann: In Her Own Words

In our last interview we visited with the producers and directors of the film “States of Grace,” about the life of a woman honored by The Dalai Lama for her medical work at the height of the AIDS epidemic in San Francisco, Ca.

In this edition of Radio Curious we visit with that woman, Dr. Grace Dammann.  Dr. Grace had a near death experience resulting from a head-on collision on the Golden Gate Bridge in 2008.  She awoke 48 comatose days later after multiple surgeries for, as she says, “trashed bones and internal organs.”  With her cognitive abilities in tact, she began rehabilitation and was able to go home a year later.  Now, in 2014 she has returned to work as the Medical Director of the Pain Clinic at the Laguna Honda Hospital in San Francisco, California, where she had previously worked as a physician for 18 years. 

Notwithstanding her confinement to a wheelchair she proudly describes her legal efforts to urge the Golden Gate Bridge Authority to install a dividing barrier intended to prevent future head-on collisions on the bridge.  The installation is scheduled to being in the fall of 2014.

Dr. Grace and I visited by phone from her home at Green Gulch Farm Zen Center, in Muir Beach, California on May 23, 2014.  We began our conversation when I asked her describe her current station on the continuum of her life’s experience. 

The book Dr. Grace Dammann recommends is “The Last of the Just,” by Andre Schwarz-Bart. 

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Cohen, Helen & Lipman, Mark –”States of Grace:”  Difficult to Imagine – Impossible to Comprehend

On May 21, 2008 Dr. Grace Damman was crushed in a head-on collision on San Francisco’s Golden Gate Bridge.  Her abdominal organs were shoved into her lung cavity and her bones and muscles were extensively injured. 

A practicing Buddhist, Dr. Grace engaged her spirituality to survive this crisis, heal and accept the new terms of her life.  Three years and 15 surgeries later, Dr. Grace Damman became the Medical Director of the Pain Clinic at San Francisco’s Laguna Honda Hospital where she had previously worked as a physician for 18 years.

“States of Grace” is a documentary film about Dr. Grace Damman, produced and directed by Helen Cohen and Mark Lipman, our guests on this edition of Radio Curious.  We visited by phone from their home in San Francisco, California, on May 16, 2014, and began our conversation with Helen Cohen describing her friend, Dr. Grace.

The films Helen Cohen recommends are “The Kiss of the Spider Woman” and “Guest of Cindy Sherman.” The film Mark Lipman recommends is “Sherman’s March.”

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Silha, Stephen — The Puckish Whimsical Life of James Broughton

The puckishly whimsical life and times of poet and film maker James Broughton is the topic of this edition of Radio Curious in a visit with Stephen Silha, the producer and director of “Big Joy,” a biographical film of the life and times of James Broughton.   

Broughton believed that in order to live an authentic life we each should follow our own weird. He says:

“I don’t know what the left is doing said the right hand.

But it looks fascinating.”


“I may be infecting the whole body

said the Head

but they’ll never amputate me.”

Stephen Silha and I visited by phone from his home near Seattle, Washington on Mother’s Day, 2014.  He began our conversation by telling us what drew him to make a film about his friend James Broughton.   

The book Stephen Silha recommends is “The Man Who Fell in Love With the Moon,” by Tom Spanbauer.

The music in this week’s edition of Radio Curious is “Twirl” by Norman Arnold, from the movie, “Big Joy.”

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